Visual artist and filmmaker Eric Baudelaire talks to Ibraaz Editor-in-Chief Anthony Downey about the themes of disjunction, the real, and the representation of the 'event' in his work.

In this interview with Ibraaz Commissioning Editor Amal Khalaf, Oreet Ashery discusses the contested socio-political territories explored throughout her work.

Gülsün Karamustafa discusses recent solo exhibition Swaddling the Baby at Villa Romana, Florence, and a project that traces the migratory patterns of vulnerable ethnic identities in modern history.

Ajay Hothi explores Flow My Tears, the Policeman Said, Hassan Khan's first solo institutional show in Germany, and considers performativity an integral part of the exhibitionary process.

In this personal response to Platform 009, sound artist Hasan Hujairi wonders how he might, as an artist from the Middle East and North Africa, position himself within a genealogy.

Ibraaz

Ibraaz is pleased to host the launch of Gulf Labor's book The Gulf: High Culture/Hard Labor (edited by Andrew Ross [for Gulf Labor], OR Books, 2015). The launch will take place in London on Thursday 19 November 2015, at Rivington Place.

Erasing was a durational performance piece that consisted of a large display table, a set of archivist tools and an inkjet photograph approximately 58" x 77" in size.

Bit Téléférique was Dictaphone Group's first site specific work, performed in 2010. It was a response to questions regarding the abrupt urbanization of Jounieh city, north of Beirut.